SOLO
a body unable to hold, any 6 string instrument
ENSEMBLE
unfinnish(ed.) - fl, acc
CrudeoiL - 1 to 4 musicians
ORCHESTRA
CUT - electric guitar & contra bass duo with chamber orchestra: 1st vl 1-4, 2nd vl 1-4, vla1-3. vlc 1-3, cb 1-2, fl, cl, bcl, ob, cor a, bs, cbs, tr. (complex scordatura)
CHOIRE
Lord Lord Lord Caw Caw Caw, text from Psalm 10, 10 parts, 6 bass, 1 tenor, 1 alto, 2 soprano.
OPERA
Cymbeline,
-Kagekiyo - 4 characters, large orchestra
OTHER
Eyers Eyes Skin, premiered in Suomesta Galleria, Berlin, Germany.
Gabiela couple(t)s with the 21st century
“The composition CUT is the second composition in a series of compositions dealing with the works, poems and prose, of Eileen R Tabios. Explicitly CUT looks at “Gabriela couple(t)s with the 21st century”, a poem about Gabriela Silang, a female rebel leader during the Spanish occupation of the Philippines in the 18th century. It is in the poetics of the missing, the illogical, that form becomes incomplete, and it is this that the allegory, my composition, aim at, and towards which all the musical material gears up towards. It is an expression of The cut, an allegory through the absence of material: through a corporeal Musica Povera.
This piece was composed between the 18th – 22nd.11.2013
CUT - exhibited in La Sala Metro, Valencia, Spain.
a body unable to hold - premiered in the spring concert of Korvat Auki ry.
Musica Povera
back to composing
a body unable to hold, any 6 string instrument
ENSEMBLE
unfinnish(ed.) - fl, acc
CrudeoiL - 1 to 4 musicians
ORCHESTRA
CUT - electric guitar & contra bass duo with chamber orchestra: 1st vl 1-4, 2nd vl 1-4, vla1-3. vlc 1-3, cb 1-2, fl, cl, bcl, ob, cor a, bs, cbs, tr. (complex scordatura)
CHOIRE
Lord Lord Lord Caw Caw Caw, text from Psalm 10, 10 parts, 6 bass, 1 tenor, 1 alto, 2 soprano.
OPERA
Cymbeline,
-Kagekiyo - 4 characters, large orchestra
OTHER
Eyers Eyes Skin, premiered in Suomesta Galleria, Berlin, Germany.
Gabiela couple(t)s with the 21st century
“The composition CUT is the second composition in a series of compositions dealing with the works, poems and prose, of Eileen R Tabios. Explicitly CUT looks at “Gabriela couple(t)s with the 21st century”, a poem about Gabriela Silang, a female rebel leader during the Spanish occupation of the Philippines in the 18th century. It is in the poetics of the missing, the illogical, that form becomes incomplete, and it is this that the allegory, my composition, aim at, and towards which all the musical material gears up towards. It is an expression of The cut, an allegory through the absence of material: through a corporeal Musica Povera.
This piece was composed between the 18th – 22nd.11.2013
CUT - exhibited in La Sala Metro, Valencia, Spain.
a body unable to hold - premiered in the spring concert of Korvat Auki ry.
Musica Povera
back to composing
